{"id":1310,"date":"2014-04-07T15:55:31","date_gmt":"2014-04-07T14:55:31","guid":{"rendered":"http:\/\/www.forde.ch\/?page_id=1310"},"modified":"2014-04-07T15:55:31","modified_gmt":"2014-04-07T14:55:31","slug":"packaging","status":"publish","type":"page","link":"https:\/\/themontesinosfoundation.org\/forde\/archives-2\/2004-2006\/packaging\/","title":{"rendered":"Packaging"},"content":{"rendered":"

Commissariat d\u2019exposition : Daniel Baumann<\/p>\n

Exposition du 7 juin au 9 juillet 2005<\/p>\n

 <\/p>\n

Au c\u0153ur de cette exposition, la pr\u00e9sentation d\u2019un objet complexe
\u00ab Psychopathologie de l’expression. Une collection iconographique internationale \u00bb<\/p>\n

Cette s\u00e9rie de portfolios (au total 26) est r\u00e9alis\u00e9e entre 1963 et 1977 par la compagnie Sandoz pour la promotion d\u2019un neuroleptique (Melleril). Elle consiste en l\u2019\u00e9dition de quasi fac-simil\u00e9s d\u2019\u0153uvres de patients anonymes et d\u2019artistes rattach\u00e9s \u00e0 l\u2019art brut. Th\u00e9matique (\u00ab Entre Eros et Thanatos \u00bb \u00e9crit par Leo Navratil et Alfred Bader, 1970) ou monographique (\u00ab Adolf W\u00f6lfli \u00bb, \u00e9crit par Theodor Spoerri, 1964), elle est introduite par un texte.<\/p>\n

Elle est en premier lieu le reflet de divers bouleversements dont la red\u00e9finition de la maladie et de l\u2019art.A la fois arme publicitaire et expression d\u2019un certain id\u00e9al humaniste, cette \u00e9dition est magnifiquement ambivalente ainsi que l\u2019expression d\u2019un v\u00e9ritable r\u00eave bourgeois, celui de la r\u00e9conciliation.<\/p>\n

Chaque item contient un ensemble de reproductions introduit par un texte allant d\u2019une pr\u00e9sentation litt\u00e9raire et th\u00e9matique jusqu\u2019\u00e0 un diagnostique par la description des indices de n\u00e9vrose et pathologie. Se pose bien s\u00fbr la question de la d\u00e9finition des \u0153uvres : lieu d\u2019une expression pure, document d\u2019un \u00e9tat mental ou encore image symbolique et connot\u00e9e selon une grille \u00e9tablie. L\u2019\u0153uvre est le fruit d\u2019une imagination obscure ou une repr\u00e9sentation interdite de toute autonomie. C\u2019est donc dans la juxtaposition texte\u2013image, que cet objet s\u2019av\u00e8re \u00eatre en fait celui de l\u2019impossible r\u00e9conciliation.<\/p>\n

L\u2019exposition est aussi une \u00e9vocation du principe de d\u00e9mat\u00e9rialisation de l\u2019art conceptuel et de son \u00e9chec relatif ; de son red\u00e9ploiement critique (John Baldessari) ou de la prise en charge de cet h\u00e9ritage (Seth Price).<\/p>\n

R\u00e9\u00e9valuer le f\u00e9tiche, jouir du pouvoir de l\u2019emballage, remplacer la repr\u00e9sentation par la pr\u00e9sentation, soutenir le terrorisme de la forme.<\/p>\n

Daniel Baumann et Julien Fronsacq<\/p>\n

 <\/p>\n

\"packaging1\"<\/a> \"packaging2\"<\/a> \"seth\"<\/a><\/p>\n

\u00a0<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Commissariat d\u2019exposition : Daniel Baumann Exposition du 7 juin au 9 juillet 2005   Au c\u0153ur de cette exposition, la pr\u00e9sentation d\u2019un objet complexe\u00ab Psychopathologie de l’expression. Une collection iconographique internationale \u00bb Cette s\u00e9rie de portfolios (au total 26) est r\u00e9alis\u00e9e entre 1963 et 1977 par la compagnie Sandoz pour la promotion d\u2019un neuroleptique (Melleril). 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